20.7.12

'Reading Like A Writer' by Francine Prose

'Reading Like a Writer' by Francine Prose is a book I picked up on a whim in Waterstones in Oxford - I had one of those classic 'ah, this book is for me' moments, when you see something and immediately take it to the counter to pay. Bravo on both the title and the cover, whoever came up with those: 'A Guide for People Who Love Books and for Those Who Want to Write Them'...which includes all the book bloggers in the world, for a start, am I riiggghhttt? Great branding, and a great section of society to target for free publicity, so hats off all round.

The structure of this book is that Francine Prose, a writer with the most fortuitous name imaginable ( I hope it just happens to be her name, like Lisa Maffia), breaks down the various aspects of good writing down into manageable chunks, such as 'Close Reading', 'Words', 'Sentences' etc. She then talks about her own writing, her own teaching experiences and other books that do this particular thing really well, giving examples and then deconstructing them for the reader. 

In tone, this book reminded me, oddly, of 'Molotov's Magic Lantern' by Rachel Polonsky, which I video-reviewed earlier this year, which is kinda funny as they actually look vaguely alike, although it's likely more that they are both female academics/writers of a similar age than that they are actually the same person. What I really mean is that the style is easy to read, very informative and perhaps the teensiest bit dry if you're not really into the subject about which they are talking. I was, however, so it's fine.

Good things about this book were Prose's obvious teaching experience, which I found to be both interesting and illuminating, and her advocacy of attention to detail. Of the writing guides I've read, structural devices and the necessity of a bangin' first chapter are usually the closest areas of study, so I found it quite refreshing to read:
'The well-made sentence transcends time and genre. A beautiful sentence is a beautiful sentence, regardless of when it was written, or whether it appears in a play or a magazine article. Which is one of the many reasons why it's pleasurable and useful to read outside of one's own genre. The writer of lyrical fiction or of the quirkiest, most free-form stream-of-consciousness novel can learn by paying close attention to the sentences of the most logical author of the exactingly reasoned personal essay.'
I think that's perfect advice: read everything, don't be a snob, sweat the small stuff and endeavour to make all your writing beautiful. I was quite moved by that sentiment and have tried to apply it to all my types of writing since, including this blog (gee, thanks for noticing!). I thought the chapters on first sentences and paragraphing were great as they provided a great range of pointers to try immediately; the dialogue chapter was the weakest, as I found the examples given quite obscure and not overly declarative or compelling. But I guess a lot of that will be down to reading taste, as if I've not been moved by a paragraph before, it's inevitably less illuminating when picked out for display, so you might find different.

There's a chapter called 'Learning from Chekhov' which, whilst dallying about with teachings concludes that great writers are unknowable and flout the rules that others follow, also reminded me a little of the 'Lesser Known Chekhovian Techniques' from McSweeney's, but not to its (hilarious) detriment; this is then followed by a chapter called 'Reading from Courage', which I found useful and unique amongst writing guides. 
'When we think about how many terrifying things people are called on to do every day as they fight fires, defend their rights, perform brain surgery, give birth, drive on the freeway, and wash skyscraper windows, it seems frivolous, self-indulgent, and self-important to talk about your writing as an act that requires courage. What could be safer than sitting at your desk, lightly tapping a few keys, pushing your chair back, and pausing to see what marvellous tidbit of art your brain has brought forth to amuse you?
And yet most people who have tried to write have experienced not only the need for bravery but a failure of nerve as the real or imagined consequences, faults and humiliations, exposures and inadequacies dance before their eyes and across the empty screen or page. The fear of writing badly, of revealing something you would rather keep hidden, of losing the good opinion of the world, of violating your own high standards, or of discovering something about yourself  that you would just as soon not know - those are just a few of the phantoms scary enough to make the writer wonder if there might be a job available washing skyscraper windows.
All of which brings up yet another reason to read. Literature is an endless source of courage and confirmation.'
Isn't that great? And ringing a tonne of bells in your head, as it is in mine? I feel endless kindness to Francine Prose for writing that down. It also ends with a list of 'Books to be Read Immediately', which I smugly ticked off, pretending to myself that I've read more than is perhaps actually true.

This is a good addition to any writer's-guide shelf, and hopefully reading and writing about it will, someday, result in some of the good practices rubbing off and enhancing my own writing from the outside in. Fingers crossed.

Title: 'Reading like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them'
Author: Francine Prose
Date of Publication: US, 2006; UK, 2012
Publisher: US, HarperCollins; UK, Union Books
Format: 268 pages, heavy paperback, and I bought it.


13 comments:

  1. This sounds wonderful. I own a copy and keep meaning to read it. Soon! :)

    ReplyDelete
    Replies
    1. Hi Jillian, really looking forward to seeing if you like it :)

      Delete
  2. Yeah, this is a great book with some interesting little insights. But I'd forgotten about that list at the end so I'd better go find my copy and make sure I can be ticking things off!

    ReplyDelete
    Replies
    1. Good plan Bethany; although that thought makes me quietly competitive about whether you've read more than me :)

      Delete
  3. I love the sound of the list at the end!
    And I think I'm that rare book blogger that has no interest in becoming a writer, it just doesn't appeal to me. I have nothing but respect for those that do it, though.

    ReplyDelete
    Replies
    1. Hi Sam,

      Maybe you're the exception that proves the rule? I wonder how many bloggers like you there are out there...my guess would not be many, especially out of those who surround themselves with books...

      Delete
    2. And we would love it if you joined the Suitable Boy readalong Lyndsay, the more the merrier! :)

      Delete
  4. I agree that a second pair of eyes is absolutely essential to avoid rejections. Through WordsRU.com I was able to get top class editing and proofreading, manuscript critique. They also write excellent author profiles and book synopsis, so pretty much the entire package.
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  5. This is great advice. If you're looking for professional editing and proofreading, check out WordsRU.com. They are thorough, quick and are ready to answer any questions you might have even after the edit
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  6. Learning to proofread your work yourself is a a must-have skill. But, it always helps to have a second pair of eyes review your work to make sure you haven't missed embarassing typos, or grammatical and syntactical errors. I'd suggest WordsRU.com for this. It also saves you a lot of time to have your work formatted according to the right style. Saves you a lot of time and allows you to focus on your work.
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    ReplyDelete
  7. I agree that a second pair of eyes is absolutely essential to avoid rejections. Through WordsRU.com I was able to get top class editing and proofreading, manuscript critique. They also write excellent author profiles and book synopsis, so pretty much the entire package.
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    ReplyDelete
  8. This is great advice. If you're looking for professional editing and proofreading, check out WordsRU.com. They are thorough, quick and are ready to answer any questions you might have even after the edit
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    ReplyDelete
  9. Learning to proofread your work yourself is a a must-have skill. But, it always helps to have a second pair of eyes review your work to make sure you haven't missed embarassing typos, or grammatical and syntactical errors. I'd suggest WordsRU.com for this. It also saves you a lot of time to have your work formatted according to the right style. Saves you a lot of time and allows you to focus on your work.
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Thanks for commenting! Best bit of blogging, by far.

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